Client
Capital Theatres present world-class shows to entertain and inspire audiences of all ages on the stages of their three theatres in Edinburgh. The Festival Theatre, King’s Theatre and Studio Theatre, collectively host over 700 performances each year, with a broad and inclusive programme featuring the very best in drama, dance, musical theatre, opera, family shows, live music, comedy, and pantomime. Capital Theatres are also Scotland’s largest theatre charity.
Brief
The Festival Theatre and King’s Theatre are two of Scotland’s largest, oldest, and most respected theatres. Many people in Edinburgh and the surrounding areas have grown up knowing and visiting both theatres. However, the theatres had only been brought together to be managed by Capital Theatres in recent years, and research had discovered public awareness of Capital Theatres itself, was low and the relationship confusing. So further to an extensive research and brand strategy process, Capital Theatres asked Rose to create a new brand identity that would help achieve greater recognition for Capital Theatres, whilst providing a clear link to each of the three theatres it manages. They also wanted the new brand to help affirm them as Scotland’s most loved theatres, sharing their extraordinary live experiences with audiences, time and again.
Solution
Working with the new brand strategy, Rose recommended a bold set of new brand assets, to help Capital Theatres stand out and create an obvious family resemblance for its three theatres. Rose suggested Capital Theatres needed a logo that would increase their visibility in application, to help build brand recognition quickly. Visually echoing the two larger theatres and their smaller sibling, the ‘family’ logo is used by each of the theatres in the brand architecture. Rose recommended a distinctive, modern sans-serif typeface as the main brand font, to ensure typography is friendlier and more accessible for the evolution of the brand.
Another important aspect of the creative solution was to enable the Capital Theatres brand to present itself confidently and consistently when used in conjunction with the eclectic visual languages of production marketing from touring partners. To reflect the new brand personality, a genuine and personable tone of voice was recommended, with headlines and titles using the linguistic power of three as a simple structure on which to build the new tone of voice. Finally, Rose evolved the colours representing each of the theatres and added a complimentary, accessible colour palette to allow the Capital Theatres brand to build further recognition in all their communications.
Result
The new brand identity is launching from Summer 2025 and will coincide with the much anticipated reopening of the King’s Theatre, following its extensive restoration project.